Las óleos de todo Federico zandomeneghi


Choice ID Image  Painting (From A to Z)       Details 
23117 At the Cafe de la Nouvelle Athenes  At the Cafe de la Nouvelle Athenes   1885 Oil on canvas 35 1/2x27 1/2"
54408 Fishing on the senie  Fishing on the senie   mk235 1878 Oil on panel 16x29cm
23118 In a box at the Theater (nn02)  In a box at the Theater (nn02)   c.1890-1895 Oil on canvas 28x34 5/8"
54414 Lady in a Meadow  Lady in a Meadow   mk235 1893 Oil on canvas 46x38cm
23115 Mother and Daughter (nn02)  Mother and Daughter (nn02)   1879 Oil on canvas 24 3/8x20 1/2"
23114 Moulin de la Galette (nn02)  Moulin de la Galette (nn02)   c.1878 Oil on canvas 31 1/2x47 1/4"
23116 Place d'Anvers (nn02)  Place d'Anvers (nn02)   Paris 1880 Oil on canvas 39 5/8x53 1/8"
54410 Place d-Anvers  Place d-Anvers   mk235 Paris 1880
78924 Place dAnvers  Place dAnvers   Oil on canvas, 39-3/8 x 53-1/8 in Date 1880(1880) cyf
54415 Portrait of a Girl  Portrait of a Girl   mk235 c.1893-1895 Oil on canvas 60.5x73.5cm

Federico zandomeneghi
Italian Painter, 1841-1917 .Italian painter. His father Pietro and grandfather Luigi tried to interest him in the plastic arts, but from a very early age he showed a stronger inclination for painting. Zandomeneghi soon rebelled against their teachings, and by 1856 he was attending the Accademia di Belle Arti in Venice, studying under the painters Michelangelo Grigoletti (1801-70) and Pompeo Molmenti (1819-94). As a Venetian he was born an Austrian subject, and, to escape conscription, he fled his city in 1859 and went to Pavia, where he enrolled at the university. In the following year he followed Garibaldi in the Expedition of the Thousand; afterwards, having been convicted of desertion and therefore unable to return to Venice, he went to Florence, where he remained from 1862 to 1866. This period was essential for his artistic development. In Tuscany he frequented the Florentine painters known as the Macchiaioli, with some of whom he took part in the Third Italian War of Independence (1866). Zandomeneghi formed a strong friendship with Telemaco Signorini and Diego Martelli, with whom he corresponded frequently for the rest of his life. In this period he painted the Palazzo Pretorio of Florence



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